Synopsis Marseille. Heaps of flowers and funeral wreaths... "A man who no longer defends his colors is no longer a man." Cast Crew Details Genres Cast Director Producer Writers Editor Cinematography Production Design Composer Sound Costumes Studios Country Language Alternative Titles Borsalino & Co, Blood on the Streets, Η υμμορία ου Μποραλίνο, Borsalino y compañía, 보르살리노 2 Genre Popular reviews More Borsalino Double FeaturePart 2 Borsalino and Co. 1974 The name of the film and the cast could definitely have been better because then this would had masterpiece potential. Delon as one man Show is amazing to watch but that kills the imagination to be one the top league of gangster movies. The story is much more brutal what gives the film an amazing flair especially through its many twists. Also the music just suits at times and as I said the cast makes me cry because the perfomances of the others totally lacking. But I had tons of fun in here. For mafia and Delon fans an absolute amazing Double Feature. French gangster week!This sequel is not nearly as enjoyable as the first Borsalino or The Sicilian Clan - Belmondo’s easygoing presence is sorely missed and this has very little of the period charm or playfulness of the original. Plus the plot is kind of low key dumb, with Delon up against an evil fascist super criminal who basically gives the Swank speech from McBain this one. But, if you want to see Alain Delon in full action hero mode, nattily dressed and taking out killers with a double barreled shotgun, you could do a lot worse. Plus, one of the rare instances where a thrown empty pistol is actually effective. Jacque Deray’s Borsalino 1970 was one of my favourite films as a teenager and my mates and I saw it several times during its long run in Brisbane cinemas. I also eventually had a VHS copy that used to get passed around. The film starred Jean-Paul Belmondo and Alain Delon as two two-bit gangsters, François Capella and Roch Siffredi, in 1930 Marseille who meet when they get into a physical fight over Lola Catherine Rouvel, but settle down into a bromance that sees them rise to the top of the city’s underworld. The film ends with Capella being gunned down by an unknown rival and Siffredi choosing to leave I saw it again around the turn of the… The company is minus Jean-Paul Belmondo, whose funeral opens the movie. Without him and the starry byplay it's a well-appointed but routine Delon-Deray action movie, with lots of gunplay plus a gruesome end for its main villain and a bit part for Anton Diffring and only occasional need for Claude Bolling's rollicking theme. A third, America-set installment never materialized. We must fight fascism with gangsters! Сиквел получился серьезнее, но явно под большим влиянием "Крестного отца". Забавно, что главного итальянского мафиози, который восхищался фашистами и нацистами, в финале сжигают в печи. Делон конечно хорош, но снято и сыграно как телемувик, собственно увидел я его на телеканале ОТР, там ему и место i accidentally downloaded the sequel first cause im stupid Roch Siffredi hot You nothing this could easily be the plot for the man from sequelalso it should've been gayer Girando per tutto il tempo a vuoto, BorsalinoandCo riesce a partire solo in un telefonatissimo finale. Estenuante, inutile e stiracchiato. Revenge movie following BORSALINO 1970 with some characters from that movie still in this Alain Delon, Catherine Rouvel, Lionel Vitrant and also uncredited appearances by Mireille Darc and Henri Deray as director and Claude Bolling as music film very much structured like a spaghetti western, with both its virtues and faults. It somehow manages to appear with both random execution and precise planning in some scenes, undoubtedly created 1930's environment is very good ideas, but the intrigue parts that hinted at cooperation with the nazis felt a bit improbable to me. Watchable, even if it doesn't fit together completely. The storyline is interesting, but sometimes the film gets a bit uneven. I felt that Alain Delon was not really in top shape, sometimes nearly would be UNFAIR to try to compare it with another gangster movie from 1974; THE GODFATHER to have watched it.